HomeMy WebLinkAbout1980-11-18 OrdinanceORDINANCE NO.
ORDINANCE APPROVING THE LARGE SCALE SIGNAGE PLAN OF
OLD CAPITOL CENTER.
SECTION 1. PURPOSE. The purpose of this amendment
is to permit special signage allowances for the
large scale non-residential development of Old
Capitol Center.
SECTION 2. AMENDMENT. Pursuant to Section
8. 10.35.14 of the Code of Ordinances the CBS Zone
regulations are hereby modified to allow for the
large scale non-residential development of Old
Capitol Center to permit special signage
allowances, pursuant to the large scale signage
plan of Old Capitol Center as filed in the City
Clerk's office.
SECTION 3. REPEALER. All ordinances and parts of
ordinances in conflict with the provision of this
ordinance are hereby repealed.
SECTION 4. SEVERABILITY. If - any section,
provision or part of the Ordinance shall be
adjudged to be invalid or unconstitutional, such
ajudication shall not affect the validity of the
Ordinance as a whole or any section, provision or
part thereof not adjudged invalid or
unconstitutional.
SECTION 5. EFFECTIVE DATE. This Ordinance shall
be in effect after its final passage, approval and
publication as required by law.
Passed and approved this
MA OR
ATTEST:
CITY CLERK
Reochmd $ APPrnvod
BY the L01jal DnParhi,nn
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'UCROFILMED BY
JORM MICR6LA9
CEDAR RAPIDS • DES FIOIBES
It was moved by and seconded by
that the Ordinance as read be adopted and upon roll call there were:
AYES: NAYS: ABSENT:
BALMER
ERDAHL
LYNCH
NEUHAUSER
PERRET
ROBERTS '
VEVERA
First consideration
Vote for passage:
Second consideration
Vote for passage:
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MICROE1LMED BY
JO RM MIC R6L A B
CEDAR RAPIDS • DES 1,10111ES
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To: Planning & Zoning Commission
Item: S-7837. Old Capitol Center
LSNRD Signage
GENERAL INFORMATION
Applicant:
Requested action:
Location:
Size:
Existing land use and zoning:
Surrounding land use and zoning:
Applicable regulations:
Limitation period:
ANALYSIS
STAFF REPORT
Prepared by: Doug Boothroy
Date: November 6, 1980
Old Capitol Center
Iowa City, Iowa 52240
Approval of the large scale non-
residential development signage
proposal for the Old Capitol Center.
In a two block area which is bounded by
Clinton Street on the east, Burlington
Street on the south', Capitol Street on
the west and Washington Street on the
north.
184,581 square feet
Enclosed shopping mall and CB.
North - University and RIA.
East - retail and CB.
South - financial institutions,
residential and CBS.
West - University and R1A, CB.
Section 8.10.35.14
None
Old Capitol Center is requesting approval of their proposed signage per special
sign allowances under Section 8.10.35.14 (large .scale sign regulations
variance). In essence, this section of the sign regulations is intended to
permit uniform signage along a general design or theme when approved by the City
Council upon approval of the Planning & Zoning Commission. Attached to this
report is a letter from Jack Klaus, Project Director, describing the kinds of
signs proposed.
It is necessary for Old Capitol Center to petition for signage allowances under
Section 8.10.35.14 because the proposed signage design deviates from the
district regulations in the 'following respects:
1. The signs to be located within the proposed sign band do not necessarily
correspond to the location of.the associated use. The existing- sign
ordinance requires permitted signs to be located on the face or front wall.,
of the building that is occupied by the use,
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MICROFILMED BY
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CEDAR RAPIDS • DES MOINES
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To: Planning & Zoning Commission
Item: S-7837. Old Capitol Center
LSNRD Signage
GENERAL INFORMATION
Applicant:
Requested action:
Location:
Size:
Existing land use and zoning:
Surrounding land use and zoning:
Applicable regulations:
Limitation period:
ANALYSIS
STAFF REPORT
Prepared by: Doug Boothroy
Date: November 6, 1980
Old Capitol Center
Iowa City, Iowa 52240
Approval of the large scale non-
residential development signage
proposal for the Old Capitol Center.
In a two block area which is bounded by
Clinton Street on the east, Burlington
Street on the south', Capitol Street on
the west and Washington Street on the
north.
184,581 square feet
Enclosed shopping mall and CB.
North - University and RIA.
East - retail and CB.
South - financial institutions,
residential and CBS.
West - University and R1A, CB.
Section 8.10.35.14
None
Old Capitol Center is requesting approval of their proposed signage per special
sign allowances under Section 8.10.35.14 (large .scale sign regulations
variance). In essence, this section of the sign regulations is intended to
permit uniform signage along a general design or theme when approved by the City
Council upon approval of the Planning & Zoning Commission. Attached to this
report is a letter from Jack Klaus, Project Director, describing the kinds of
signs proposed.
It is necessary for Old Capitol Center to petition for signage allowances under
Section 8.10.35.14 because the proposed signage design deviates from the
district regulations in the 'following respects:
1. The signs to be located within the proposed sign band do not necessarily
correspond to the location of.the associated use. The existing- sign
ordinance requires permitted signs to be located on the face or front wall.,
of the building that is occupied by the use,
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MICROFILMED BY
JORM MICR+LAB
CEDAR RAPIDS • DES MOINES
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2. While the sign ordinance provides for additional signage for commercial
businesses located on corner lots, it does not address the need for
additional advertising facia signs in a situation where the development is
mall -type and extends over a block in area.
The sign regulations proposed in the new zoning ordinance anticipate the
conditions addressed above by permitting any number of signs to be located on
any wall of a building as long as the total area does not exceed the maximum
permitted for any one use. •
Taking action on the subject request, the Commission must make recommendations
thereon in the manner of rezoning petition. A recommendation of approval, in
the instant case, would be to amend the CB district regulations regarding
signage for the approved large scale non-residential development plans of Old
Capitol Center pursuant to Section 8.10.35.14. The approved signage would then
become a part of the approved LSNRD plan.
RECOMMENDATION
It is the staff's recommendation that the request for special signage allowances
pursuant to Section 8.10.35.14 be approved.
DEFICIENCIES AND DISCREPANCIES
None.
ATTACHMENTS
Letter from Old Capitol Center.
ACCOMPANIMENTS
Old Capitol Center's large scale no - idential developmint signage plan.
I
Approved by:
D Schmei er, Acting erector
Departme of Planning and Program
Development
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MICROFILMED BY
JORM MICR+LA6
CEDAR RAPIDS • DES MOINES
n ^ THE DOWNTOWN ENCLOSED
\\ SHOPPING CENTER
'0 O \V\ IOWA CITY. IOWA
OLD CAPITOL CENTER
October 3, 1980 1 E D
Mr. Neal Berlin, 0CT7I�' 19�Q
City Manager pUgg�E STOLFUS
City of Iowa City �)Ty CLERK
Civic Center
410 East Washington Street
Iowa City, Iowa 52240
Dear Mr. Berlin:
Subject: Signage and Landscaping
OLD CAPITOL CENTER
Iowa City, Iowa
By resolution number 78-456, dated October 17, 1978, the
City Council approved the Preliminary Design Plans as called
for in our contract for redevelopment of Parcels 83-1 and
84-1, subject to future approval of signage and plantings.
By this letter and the graphic accompaniment, we are herewith
seeking your approval of the signage and plantings for the
center.
Signage will appear on all three exposed sides of the building.
There are four different kinds of signs.
A sign "band", used for tenant advertising, will run along a
line directly above and parallel to the top of the show
windows. The sign cabinet will be aluminum and will be a
duranotic bronze color. As shown on the graphics, the
lettere will be the same on each sign. The front panel is a
dark bronze lexan with white letters internally lit. The
sign is 42.5 inches high, 29 feet long and 8 inches deep.
Each 29 -foot length will be divided in thirds, allowing
signs for three tenants per bay.
The second type of sign is that to be used by the major
tenants and indentification for the shopping center (logo).
All of these signs are made up of individual letters. In
the case of the logo, J.C. Penney and Osco signs the individual
Tsl. 318361.6376
0,,~ 1270
Iowa C"Y, Is, b2244
MICROFILMED BY
JORM MICR+LAB
CEDAR RAPIDS a DES MOINES
TO .112316,6466
706 W. Wacker, Bulb 20:
Chicago, III. 60806
,
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n ^ THE DOWNTOWN ENCLOSED
\\ SHOPPING CENTER
'0 O \V\ IOWA CITY. IOWA
OLD CAPITOL CENTER
October 3, 1980 1 E D
Mr. Neal Berlin, 0CT7I�' 19�Q
City Manager pUgg�E STOLFUS
City of Iowa City �)Ty CLERK
Civic Center
410 East Washington Street
Iowa City, Iowa 52240
Dear Mr. Berlin:
Subject: Signage and Landscaping
OLD CAPITOL CENTER
Iowa City, Iowa
By resolution number 78-456, dated October 17, 1978, the
City Council approved the Preliminary Design Plans as called
for in our contract for redevelopment of Parcels 83-1 and
84-1, subject to future approval of signage and plantings.
By this letter and the graphic accompaniment, we are herewith
seeking your approval of the signage and plantings for the
center.
Signage will appear on all three exposed sides of the building.
There are four different kinds of signs.
A sign "band", used for tenant advertising, will run along a
line directly above and parallel to the top of the show
windows. The sign cabinet will be aluminum and will be a
duranotic bronze color. As shown on the graphics, the
lettere will be the same on each sign. The front panel is a
dark bronze lexan with white letters internally lit. The
sign is 42.5 inches high, 29 feet long and 8 inches deep.
Each 29 -foot length will be divided in thirds, allowing
signs for three tenants per bay.
The second type of sign is that to be used by the major
tenants and indentification for the shopping center (logo).
All of these signs are made up of individual letters. In
the case of the logo, J.C. Penney and Osco signs the individual
Tsl. 318361.6376
0,,~ 1270
Iowa C"Y, Is, b2244
MICROFILMED BY
JORM MICR+LAB
CEDAR RAPIDS a DES MOINES
TO .112316,6466
706 W. Wacker, Bulb 20:
Chicago, III. 60806
1
,
4
1
Neal Berlin,
' October 3, 1960
Page 2 �•
letters are internally luminated. Younkers sign is back lit.
The logo will be blue and white in color, Penney's white,
Osco orange and Younkers bronze. They will be placed as,
shown on the illustration.
The third type of sign is' that to be used by the theatres.
It is similar to the sign band but is approximately three
feet taller. The materials are the same as used in the sign
band except that the front "message" panel is white with
dark letters. It is possible that this sign might become
part of the sign band. This sign goes on the west wall of
the Washington Street entrance.
The fourth type of sign is that used on the Capitol Street
side to identify the four loading docks. The materials used
are the same for all four signs: a bronze lexan panel (same
material as front panel on the sign band) with white vinyl
hand cut letters applied to the panel. The two signs at the
_ north end of the building (Younkers and Osco) are 2' x 41.
The two at the south end (J.C. Penney and general receiving)
are 1' x 71.
We have attempted to produce a sign "package" which is
compatible with the rest of downtown and complementary to
the structure. It is in keeping with the letter of the
criteria set forth in Section 8.10.35.10 of the Code of
Ordinances of Iowa City and, we feel, in keeping with the
spirit of the Sign Ordinance.
As for the landscaping, the specifications speak for them-
selves. We await your comments and approval so that we may
proceed to obtain the necessary permits.
j
Very truly yours,
John B. Klaus,
Project Director
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MICROFILMED BY
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CEDAR RAPIDS • DES MOINES
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ORDINANCE N0. 80-3011
ORDINANCE APPROVING THE LARGE SCALE SIGNAGE PLAN OF
OLD CAPITOL CENTER.
i
SECTION 1. PURPOSE. The purpose of this amendment
is to permit special signage allowances for the
large scale non-residential development of Old
Capitol Center.
SECTION 2. AMENDMENT. Pursuant to Section
8.10.35.14 of the Code of Ordinances the CBS Zone
regulations are hereby modified to allow for the
large scale non-residential development of Old
'.
Capitol Center to permit special signage
allowances, pursuant to the large scale signage
plan of Old Capitol Center as filed in the City
Clerk's office.
SECTION 3. REPEALER. All ordinances and parts of
ordinances to conflict with the provision of this
ordinance are hereby repealed.
SECTION 4. SEVERABILITY. If any section,
provision or part of the Ordinance shall be
adjudged to be invalid or unconstitutional, such
ajudication shall not affect the validity of the
"l
_
Ordinance as a whole or any section, provision or
part thereof not adjudged invalid or
;
unconstitutional.
SECTION . EFFECTIVE DATE. This Ordinance shall
be in eff5ect after its final passage, approval and
publication as required by law.
Passed and approved this 18th day of November,
19 80 .
Zr
MAYOR
ATTEST:
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CITY CLERK
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By Ine 34';151
D.:part-lr.•n
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It was moved by Neuhauser , and seconded by Perret
that the Ordinance as read be adopted and upon roll call there were:
AYES: NAYS: ABSENT:
x
BALMER
x
EROAHL
x
LYNCH
x
NEUHAUSER
x
PERRET
x
ROBERTS
x
VEVERA
First consideration xxxxxxxxxx
Vote for passage:
Second consideration xxxxxxxxxxxxx
Vote for passage:
Moved by Neuhauser, seconded by Erdahl, that
the rule requiring ordinances to be considered
and voted on for passage at two Council meetings
prior to the meeting at which it is to be finally
passed be suspended, the first and second consider—
ation and vote be waived and the ordinance be voted
upon for final passage at this time. Ayes: Lynch,
Neuhauser, Perret, Roberts, Vevera, Balmer, Erdahl.
Nays: None.
Date of publication 11/26/80
MICROFILMED BY
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ORDINANCE NO.
ORDINANCE AMENDING THE IOWA CITY ZONING
CHAPTER, APPENDIX A OF THE IOWA CITY CODE OF
ORDINANCES, BY CHANGING THE USE REGULATIONS
OF CERTAIN PROPERTY FROM R1A TO R3A.
BE IT ORDAINED BY THE CITY COUNCIL OF THE CITY OF
IOWA CITY, IOWA:
SECTION 1. The property described below is hereby
classified at the owner's request, as an R3A zone,
to -wit:
In Township 79 North, Range 6 West,
Section 4, of the 5th P.M., a parcel of
land therein described as follows:
Commencing at a point which is North
09021' East, 85.4 feet, and North 090061
West, 60 feet, and South 83°30' West,
690.9 feet, and South 690411 West, 52.88
feet of the East 4 corner of said
Section 4; thence South 6203912011 West,
645.8 feet; thence South 4801211011 West,
123.0 feet to the Point of Beginning;
thence North 51058'4011 West, 278.3 feet;
thence South 450 11'30" West, 229.6
feet'; thence South 5104511011 East, 206.7
feet to the Iowa River; thence easterly
along said River to a point bearing
South 51058140" East of the Point of
Beginning; thence to the Point of
Beginning. Said parcel contains
approximately 1.33 acres.
SECTION 2. The Building Inspector is hereby
authorized and directed to change the zoning map
for the City of Iowa City, Iowa, to conform to this
amendment upon final passage, approval and
publication of this ordinance as provided by law.
SECTION 3. The City Clerk is hereby authorized
and directed to certify a copy of this ordinance
to the County Recorder of Johnson County, Iowa,
upon final passage, approval and publication as
provided by law.
SECTION 4. REPEALER. All ordinances and parts of
ordinances in conflict with the provision of this
ordinance are hereby repealed.
SECTION 5. SEVERABILITY. If any section,
provision or part of the Ordinance shall be
070 7``'�
MICRO[ VIED BY
JORM MICROLA6
CEDAR RAPIDS • DES 1101q[S
adjudged to be invalid or unconstitutional, such
ajudication shall not affect the validity of the
Ordinance as a whole or any section, provision or
part thereof not adjudged invalid or
unconstitutional.
SECTION 6. EFFECTIVE DATE. This Ordinance shall
be in effect after its final passage, approval and
publication as required by law.
Passed and approved this
MICR0EILMED BY
JORM MICR4�UA13
CEDAR RAPIDS • DES F10111ES
RgCEJV0 A Obi T
8Y T LES,
. tN
ao97
It was moved by , and seconded by
that the Ordinance as read be adopted and upon roll calT there were:
AYES: NAYS: ABSENT:
BALMER
ERDAHL
LYNCH
NEUHAUSER
PERRET
ROBERTS
VEVERA
First consideration
Vote for passage:
Second consideration
Vote for passage:
MICROFILMED BY
JORM MICR( LAB
CEDAR RAPIDS • DES MOINES
Q69 7
f-
We the under siwepetition ap,ainst the rezoning from RIA to d3A,
of the Old 'Elks Club Property, at the end of Taft Speedway.
For reasons listed below:
E
1. Increased traffic on a secondary road that is closed every
spring due to area conditions.
2.- Fire hazard - safety of people living there, no fire hydrant
within 1/2 mile.
3. Sewer capacity causing river pollution.
4. Changing the structure of our residual`neighbor area. (Lde
live here, they don't).
5. The existing property has long been a deficANO to the
neighbor$, We request that this be looked into by the
River Front Commissipn Traffic Control and Board of Health
for reasons of brinWtiIre existing property up to todays standards.
A bad situation stopped, not, enlarged upon.
6.Over the sixteen year period the Old Elks Club has deteriorated
from lack of maintance and upkeep. The neighborhood considers
it a nuisance. -
�a � /tom �
e
jet C
/D3 `t,
MICROFILMED BY
JORM MICR+LAB
CEDAR RAPIDS • DES MOINES
m
I
de the under sign petition against the rezoning from UA to 13A1
of the Old Elks Club Property, at the end of Taft Speedway.
For reasons listed below:
1. Increased traffic on a secondary road that is closed every
spring due to area conditions.
2. Fire hazard - safety of people living there, no fire hydrant
within 1/2 mile.
3. Sewer capacity causing river pollution. Y
4
!. Changing the structure of our residei(V neighbor area. (6/e
live here the donit d
5. The existing property has long been a defici to the
neighbor$. We request that this be looked into by the
River Front Commissionr�, Traffic Control and Board of Health
for reasons of bring`"dne existing property up to todays standards. )
A bad situation stopped, not enlarged upon.
6. Over the sixteen year period the Old Elks Club has deteriorated 1
from lack of maintance and upkeep. The neighborhood considers y
it a nuisance.
3 of �ti I:
0LWVXAO'�A
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,1
141CROFILMED BY
JORM MICR+LA13
CEDAR RAPIDS • DES MOINES -a.
IKROf ILMED DY
JORM MICROL AB
CHIAR RAPIDS •DCS I40RIC5
Produced by The University of Iowa
Museum of Art through a grant from
the Iowa Humanities Board and the
National Endowment for the Humani-
ties.
Published by The University of Iowa
Foundation.
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AA piece of public sculpture
needs more than just an out-
door setting to make it public.
The image it presents must
engage the viewer's imagination, inter-
act with the surrounding environment,
and offer an artistic statement that
stimulates the viewer's aesthetic sen-
sibilities. Its ability to evoke a response
from the viewer is a measure of its
success.
The idea of public sculpture is as
old as civilization, harking back to
ancient Egyptian and Greek monu-
ments. Man always has recognized the
need to display art in public places.
Traditionally public sculpture has been
created to commemorate an important
Person or event. It has functioned as a
symbol of authority, to express the
ideals, accomplishments, and values of
those who commissioned it. Only in the
mid -twentieth century has public
sculpture come to be appreciated pn-
marily for its effect on the surrounding
environment and its value for the artis-
tic awareness of the general public.
People whose daily lives include
little time for art take notice of public
works of art because of theircommand-
ing presence in the environment. Often
abstract in form, the sculptures chal.
lenge the viewer to question their
meaning, to consider their relationship
to surrounding buildings and land-
scapes, and to interact with an object
whose function is not immediately ap-
parent.
This self -paced walking tour of
public sculpture guides the viewer past
the major outdoor sculpture pieces on
the University of Iowa campus and in
public places of Iowa City. Although
the pieces are numbered, the tour may
be started at any point along the route.
The descriptive paragraphs discuss
formal aspects of the sculpture and
touch the ideas and values that the
images convey. Although this guide
discusses only selected pieces of
sculpture, it is important to note that the
Iowa City landscape is dolled with
sculptures which enhance the quality of
the surroundings. Many of these pieces
were made by students obtaining their
graduate degrees at The University and
are denoted on the walking tour map by
the letters M.F.A. (Master of Fine
Arts).
Using This Guide
This tour starts at the Museum of Art
and travels an approximate distance of
two miles by foot. The tour ends at the
Lindquist Center where, after admiring
the outdoor sculpture by Louise Nev.
elson, the viewer is invited inside the
building to view four additional
sculptures.
This guide is merely a starting
point. The best tools for appreciating
public sculpture (as well as other works
of art) are your own eyes. Look care-
fully. Try to spot the piece from a
distance and observe how it changes as
you approach it. Walk around the
piece. Feel its surface. Notice the re-
lationship between the piece and its
setting from different angles. Think
about how the solid forms and the sur-
rounding space interact. Let your
imagination play with the piece and
have a good time.
aag9
1
i
Begin at the Museum or Art. Inside
the museum is an environment spe.
cially designed for sculpture, called
"The Sculpture Court," where the
museum's rotating collection of con-
temporary sculpture can be viewed.
L-OMIJ
IC
MICROFILMED BY
JORM MICR+LAB.
CEDAR RAPIDS • DES MOINES ;y
:.■
2
Lila Katzen
Oracle, 1974
Cor -Ten and stainless steel
II ft.x 17 ft. x5ft. (3.36mx5.18mx
1.52 m)
Riverside Drive approach to the
Museum of Art
Museum purchase
The title Oracle possibly refers to
the shrines of ancient Greece where
mythical gods revealed hidden knowl-
edge or special prophecies. The sculp-
ture's monumental size and weight of
industrial steel are counterbalanced by
the grace and elegance of its curvilinear
forms. Oracle might be described as a
work of suspended movement. Katzen
created this work by stacking and bal-
ancing parts rather than by welding
them together.
Like all of Katzen's sculptural
pieces, Oracle can be best appreciated
in a social environment, where it elicits
a participatory response by the viewer,
who is tempted to walk through it or
even to climb on it. Unlike most sculp-
lure displayed in a museum, one of the
delights of public sculpture is the
possibility of touching it. What sensa-
tion do you gel from touching Oracle?
From walking through it?
3
George Rickey
Two Lines Oblique, 1967.1969
Stainless steel
No. 6 in an edition of 8
Height: 25 ft. (7.62 m)
Riverside Drive approach to the
Museum of Art
Gift of Mr. and Mrs. Louis Shulman
"The artist finds waiting for him,
as subject, not the trees, tint the
/lowers, not the landscape, but the
waving of branches and the trembling
of stents, dte piling tip or .scudding of
rlrrnds."
George Rh key
MICROFILMED BY
JORM MICR+LA6
CEDAR RAPIDS • DES MOINES
Movement and the physical forces
of motion are integral parts of George
Rickey's sculpture. Two Lines
Oblique is composed of two blade -like
appendages attached to a slender var-
ticle support. The sculpture depends on
the forces of nature to rotate its stainless
steel blades in random patterns of
movement. How does reflected sun-
light affect your perception of the shiny
steel forms? How would you charac-
terize the movement you see?
Rhythmic? Erratic? Hypnotic? Would
you react differently to the piece under
different weather conditions?
dwayy
I
J
Mark di Suvcro
Untitled, 1971
Painted steel
Height: 10 ft. 8 in. (3.26 m)
River side of the Museum of Art
Purchased for the Museum of Art by
a grant from the Longview Founda-
tion and the National Endowment
for the Arts
Di Suvero invites the viewer to ex-
perience his work by manipulating the
moveable parts. Try setting this sculp-
ture in motion. Untitled resembles a
miniature crane with a large metal form
swinging in the wind as it hangs sus-
pcnded at the end of two short metal
George Rickey
Four Rectangles Oblique: Variation
11, 1972-1975
Stainless steel
No. I in an edition of 3
Height: 8 ft. to 9 ft. (2.44 in to 2.74 m)
Rectangles 37 in, x 9 in. (93.98 cm x
22.86 cm)
East side of the Museum of An
Museum purchase
Four Rectangles Oblique: Varia-
tion 11 is in the most secluded location
of all the public sculptures. Walking
along the west riverbank, the viewer
cables attached to the top of the work's
slanting arms. The work is based on a
tripod structure of steel T and 1 beams.
Although heavy and monumental in ap-
pearance, the work was designed for
movement, which creates a changing
relationship between the work and its
environment.
Di Suvero's sculpture is based on a
deep respect for the technological de-
velopment of mankind. He cuts his
steel directly with a torch and reassem-
bles it by arc welding. He operates his
own crane, a skill he acquired when
working on commercial construction
projects.
discovers the piece in a small, exterior
sculpture court. The experience of art
in a quiet, private location often en.
hances one's appreciation of its
subtleties. The brushed steel surface of
this piece has a painterly texture that
creates reflected light patterns as the
four rectangles move. Even when mo-
tionless, the diagonal or oblique com-
position of this piece suggests potential
movement in contrast to the static, rest-
ful effect of the horizontal and vertical
lines of the museum building. Would
a static piece of sculpture catch your
eye as readily?
Luther Utterback
Untitled, 1976
140 tons of limestone, 4 blocks,
6 ft. x6ft. x I I ft. (1.83mx 1.83m
x 3.35 m)
North of Hanchcr Auditorium
Commissioned by The University of
Iowa following sculpture compe-
tion
Monumental. Mysterious. Chang-
ing. From a distance it looks small.
As you approach this limestone sculp.
ture, do you feel dwarfed by the height
and weight of the massive rock slabs?
How do the four slabs relate to one
another? The giant, primeval blocks of
stone seem to grow from the grass -
carpeted earth, like an ancient monu-
ment silhouetted against the modem
city skyline in the distance.
Time is an important element of this
sculpture. The rock slabs will move
almost imperceptibly as the weight of
the stone reacts to changes in the con.
ditions of the earth beneath it. As the
ground expands and contracts with the
passage of time, the rock shifts and
gradually settles deeper into the earth
whence it came.
There are few signs of the artist's
hand. What we see is an idea made
tangible through the planning and care.
ful supervision of the artist. Imper-
sonal. Silent. Timeless.
---- ' M1n- P."
us cava
A.
Other Works
A. St. Thomas More, William Robinson,
1968, St. Thomas More Church.
R. To Clcve,4
pa's Farr,*h` a'
garden car v a
Clinics��.
i
slabs will move
ly as the weight of
-hanges in the con -
beneath it. As the
I contracts with the
: rock shifts and
Doer into the earth
signs of the artist's
Ice is an idea made
he planning and caro -
the artist. Imper-
Kenneth Snclson
Four Module Piece: Form 2, 1968
Aluminum and stainless steel
18 ft. x 40 ft. x 40 ft. (5.49 in x 12.19 to
x 12.19 m)
Comer of Dubuque Street and Iowa
Avenue
Purchased by the citizens of Iowa City
through public donations and a
grant from the National Endow-
ment for the Arts, 1974
Influenced by the ideas and struc-
ture of Buckminster Fuller's geodesic
domes, Four Module Piece: Form 2
originates from a modular form in the
shape of an "X" which grows in four
moveable sections. Follow the X mod-
ule as it develops into a spray of
aluminum relics. Snelson's major con-
cern is with the fundamentals of na-
ture, which he defines as the patterns
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of physical forces in space. He is less
interested in the visual image than in
the lines of force which are necessary
for this structure to exist. Here he con-
structs a work of linear material (cable)
put under tension and compression.
Snclson calls the concept behind this
work "tensegrity" and uses the princi-
ples of structural engineering to
achieve it.
It is fitting that such a sculpture be
installed near The University of Iowa
Physics Building. The commission for
this sculpture was awarded to Snelson
by the Iowa City Sculpture Project,
a national sculpture competition.
hl(arRSONI___ 1
t Robinson, B. To Cloves' Creamery from Grand-
urch. pa's Form, Ronda Reinke, 1980, West
garden courtyard, U1 Hospitals and
Clinics. I
,
0 •
Richard Field
Triaxial Hemicylindrical, 1974
Cor -Ten steel
12 ft. x 15 ft. (3.66 in x 4.57 m)
Chauncey Swan Plaza opposite the
Iowa City Civic Center
Purchased by the citizens of Iowa
City through public donations and a
grant from the National
Endowment for the Arts
Commissioned as part of the Iowa
City Sculpture Project, this sculpture
by midwestem artist Richard Field is an
abstract piece which depends on its
I
Louise Nevelson
Voyage, 1975
Cor -Ten steel painted black
30 ft. x 9 ft. x 5 ft. 7 in. (9.14 no x
2.74 in x 1.70 m)
Lindquist Center
Purchased through University
building funds, it grant from the
National Endowment for the
Arts, a partial gift from the
artist, a grant from the
Measurement Research
Foundation and other gifts
through The University of Iowa
Foundation.
changing relationship with the sun for
its dramatic effect. The shadows cast
by the steel components of this piece
change with the time of day and the
position of the viewer.
The viewer is immediately drawn to
this sculpture by its intense colors,
which mask the great weight of the
Cor -Ten steel and contrast with the
dark shadows produced by the sculp-
ture.
Louise Nevelson is known pri-
marily for her sculpture in wood, but
since 1975 she has made a large group
of monumental sculptures in painted
aluminum and steel.
"Working in metal has allowed me
to fidfrll myself as an environmental
architect ... Working in the open is
especially trjjcuh as you are !it com-
petition with the scale of the uni-
verse. In enclosures you can create
infinite universes by illusion—shado ,
and light, but outside, scale becomes
critical. Space is the greatest herury
whether it be in a room or out of
doors."
t..mlu Nrcthnn
The strong, elegnn4 columnar
forms of Voyage reveal how success-
fully Nevelson made her transition
from large indoor sculpture to monu-
mental forms on an architectural scale.
Consider how the forms of Voyage
relate to the design of the Lindquist
Center. Would this piece be as effective
in the middle of an open field?
The importance of art in public
places has been recognized by a federal
government mandate to spend a per-
centage of new building costs on works
of art. This piece. as well as four ad-
ditional sculptures inside the Lindquist
Center, bring an into everyday contact
with people who might pause m their
busy lives to contemplate an object that
transcends their everyday concerns.
0
ORDINANCE NO. 80-3012
AN ORDINANCE AMENDING SECTIONS 12-16 AND
12-21 OF THE CODE OF ORDINANCES OF IOWA
CITY, ADOPTING THE 1979 EDITION OF THE
UNIFORM FIRE CODE WITH CERTAIN
AMENDMENTS.
SECTION 1. PURPOSE. The purpose of this ordinance
is to adopt the 1979 Edition of the Uniform Fire
Code as prepared and edited by the International
Conference of Building Officials and the Western
Fire Chiefs Association to provide for the safety
of the citizens, lives and property of Iowa City
and provide for its enforcement.
SECTION 2. AMENDMENT.
(a) Section 12-16 of the Code of Ordinances is
hereby amended to read as follows:
Subject to the following amendments, the 1979
edition of the Uniform Fire Code is hereby
adopted.
(b) Section 12-21 of the Code of Ordinances is
hereby amended to read as follows:
(1) Section 79.401 is hereby amended to read
as follows:
Section 79.401. This division shall
apply only to the storage and dispensing
of flammable or combustible liquids in
drums or other containers not exceeding
sixty (60) gallons individual capacity
and those portable tanks not exceeding,
three hundred (300) gallons individual
capacity. Two (2) portable tanks of
different fuels may be located at a site
unless the Chief of the Fire Department
determines them to be a hazard. These
requirements do not apply to bulk plants,
service station refineries, chemical
plants and distilleries.
(2) Section 25.117(b)(4) is hereby amended to
read as follows:
(4). Candles held in persons' hands will
be allowed. Battery-operated simulated
candles are available and are recommended
as being safer than real candles. No
permit is required for battery-operated
candles or other electric candles.
MICROFIL14ED BY
JORM MICR+LAB
` CEDAR RAPIDS • DES MOINES
1,
0
ORDINANCE NO. 80-3012
AN ORDINANCE AMENDING SECTIONS 12-16 AND
12-21 OF THE CODE OF ORDINANCES OF IOWA
CITY, ADOPTING THE 1979 EDITION OF THE
UNIFORM FIRE CODE WITH CERTAIN
AMENDMENTS.
SECTION 1. PURPOSE. The purpose of this ordinance
is to adopt the 1979 Edition of the Uniform Fire
Code as prepared and edited by the International
Conference of Building Officials and the Western
Fire Chiefs Association to provide for the safety
of the citizens, lives and property of Iowa City
and provide for its enforcement.
SECTION 2. AMENDMENT.
(a) Section 12-16 of the Code of Ordinances is
hereby amended to read as follows:
Subject to the following amendments, the 1979
edition of the Uniform Fire Code is hereby
adopted.
(b) Section 12-21 of the Code of Ordinances is
hereby amended to read as follows:
(1) Section 79.401 is hereby amended to read
as follows:
Section 79.401. This division shall
apply only to the storage and dispensing
of flammable or combustible liquids in
drums or other containers not exceeding
sixty (60) gallons individual capacity
and those portable tanks not exceeding,
three hundred (300) gallons individual
capacity. Two (2) portable tanks of
different fuels may be located at a site
unless the Chief of the Fire Department
determines them to be a hazard. These
requirements do not apply to bulk plants,
service station refineries, chemical
plants and distilleries.
(2) Section 25.117(b)(4) is hereby amended to
read as follows:
(4). Candles held in persons' hands will
be allowed. Battery-operated simulated
candles are available and are recommended
as being safer than real candles. No
permit is required for battery-operated
candles or other electric candles.
MICROFIL14ED BY
JORM MICR+LAB
` CEDAR RAPIDS • DES MOINES
01�Iance No.
Page 2 f30 -only
SECTION'.
REPEALER. All ordinances and parts of
ordinances in conflict with the provision of this
ordinance are hereby repealed.
SECTION 4. SEVERABILITY. If any section,
provision or part of the Ordinance shall be
adjudged to be invalid or unconstitutional, such
ajudication shall not affect the validity of the
Ordinance as a whole or any section, provision or
part thereof not adjudged invalid or
unconstitutional.
SECTION 5. EFFECTIVE DATE. This Ordinance shall
be in effect after its final passage, approval and
Publication as required by law.
Passed and approved this 18th day of November,
1980.
ATTEST:
MICROFILMED BY
' JORM MICR+LAB
CEDAR RAPIDS • DES MOINES
AMCFIM 3 IPPR -9F"l
I 1 .',r'rr I :�Ei'i
al3s�
1
j
i
k'
I
1
I
1
0
01�Iance No.
Page 2 f30 -only
SECTION'.
REPEALER. All ordinances and parts of
ordinances in conflict with the provision of this
ordinance are hereby repealed.
SECTION 4. SEVERABILITY. If any section,
provision or part of the Ordinance shall be
adjudged to be invalid or unconstitutional, such
ajudication shall not affect the validity of the
Ordinance as a whole or any section, provision or
part thereof not adjudged invalid or
unconstitutional.
SECTION 5. EFFECTIVE DATE. This Ordinance shall
be in effect after its final passage, approval and
Publication as required by law.
Passed and approved this 18th day of November,
1980.
ATTEST:
MICROFILMED BY
' JORM MICR+LAB
CEDAR RAPIDS • DES MOINES
AMCFIM 3 IPPR -9F"l
I 1 .',r'rr I :�Ei'i
al3s�
1
k'
/--N /-�
Or. .ance No. 80-3012
Page 3
It was moved by Perret , and seconded
by Vevera that the Ordinance as read be
adopted and upon roll call there were:
AYES: NAYS: ABSENT:
x
BALMER
x
ERDAHL
x
LYNCH
x
NEUHAUSER
x
PERRET
x
ROBERTS
x
VEVERA
First consideration 10/21/80
Vote for passage: Ayes: Lynch, Neuhauser, Perret,
Roberts, Vevera, Balmer, Erdahl. Nays: None.
Second consideration 11/4/80
Vote for passage: Ayes: Vevera, Balmer, Erdahl,
Lynch, Neuhauser, Roberts. Nays: None.
Absent: Perret.
Date of publication 11/26/80
I
3
141CROFILMED BY
JORM MICR+LABS
CEDAR RAPIDS • DES MOINES ^,