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HomeMy WebLinkAbout1980-11-18 OrdinanceORDINANCE NO. ORDINANCE APPROVING THE LARGE SCALE SIGNAGE PLAN OF OLD CAPITOL CENTER. SECTION 1. PURPOSE. The purpose of this amendment is to permit special signage allowances for the large scale non-residential development of Old Capitol Center. SECTION 2. AMENDMENT. Pursuant to Section 8. 10.35.14 of the Code of Ordinances the CBS Zone regulations are hereby modified to allow for the large scale non-residential development of Old Capitol Center to permit special signage allowances, pursuant to the large scale signage plan of Old Capitol Center as filed in the City Clerk's office. SECTION 3. REPEALER. All ordinances and parts of ordinances in conflict with the provision of this ordinance are hereby repealed. SECTION 4. SEVERABILITY. If - any section, provision or part of the Ordinance shall be adjudged to be invalid or unconstitutional, such ajudication shall not affect the validity of the Ordinance as a whole or any section, provision or part thereof not adjudged invalid or unconstitutional. SECTION 5. EFFECTIVE DATE. This Ordinance shall be in effect after its final passage, approval and publication as required by law. Passed and approved this MA OR ATTEST: CITY CLERK Reochmd $ APPrnvod BY the L01jal DnParhi,nn r 1� ot'�i I V 'UCROFILMED BY JORM MICR6LA9 CEDAR RAPIDS • DES FIOIBES It was moved by and seconded by that the Ordinance as read be adopted and upon roll call there were: AYES: NAYS: ABSENT: BALMER ERDAHL LYNCH NEUHAUSER PERRET ROBERTS ' VEVERA First consideration Vote for passage: Second consideration Vote for passage: aog5 MICROE1LMED BY JO RM MIC R6L A B CEDAR RAPIDS • DES 1,10111ES J To: Planning & Zoning Commission Item: S-7837. Old Capitol Center LSNRD Signage GENERAL INFORMATION Applicant: Requested action: Location: Size: Existing land use and zoning: Surrounding land use and zoning: Applicable regulations: Limitation period: ANALYSIS STAFF REPORT Prepared by: Doug Boothroy Date: November 6, 1980 Old Capitol Center Iowa City, Iowa 52240 Approval of the large scale non- residential development signage proposal for the Old Capitol Center. In a two block area which is bounded by Clinton Street on the east, Burlington Street on the south', Capitol Street on the west and Washington Street on the north. 184,581 square feet Enclosed shopping mall and CB. North - University and RIA. East - retail and CB. South - financial institutions, residential and CBS. West - University and R1A, CB. Section 8.10.35.14 None Old Capitol Center is requesting approval of their proposed signage per special sign allowances under Section 8.10.35.14 (large .scale sign regulations variance). In essence, this section of the sign regulations is intended to permit uniform signage along a general design or theme when approved by the City Council upon approval of the Planning & Zoning Commission. Attached to this report is a letter from Jack Klaus, Project Director, describing the kinds of signs proposed. It is necessary for Old Capitol Center to petition for signage allowances under Section 8.10.35.14 because the proposed signage design deviates from the district regulations in the 'following respects: 1. The signs to be located within the proposed sign band do not necessarily correspond to the location of.the associated use. The existing- sign ordinance requires permitted signs to be located on the face or front wall., of the building that is occupied by the use, i MICROFILMED BY JORM MICR+LAB CEDAR RAPIDS • DES MOINES a o'9s r � i I i i i r; i To: Planning & Zoning Commission Item: S-7837. Old Capitol Center LSNRD Signage GENERAL INFORMATION Applicant: Requested action: Location: Size: Existing land use and zoning: Surrounding land use and zoning: Applicable regulations: Limitation period: ANALYSIS STAFF REPORT Prepared by: Doug Boothroy Date: November 6, 1980 Old Capitol Center Iowa City, Iowa 52240 Approval of the large scale non- residential development signage proposal for the Old Capitol Center. In a two block area which is bounded by Clinton Street on the east, Burlington Street on the south', Capitol Street on the west and Washington Street on the north. 184,581 square feet Enclosed shopping mall and CB. North - University and RIA. East - retail and CB. South - financial institutions, residential and CBS. West - University and R1A, CB. Section 8.10.35.14 None Old Capitol Center is requesting approval of their proposed signage per special sign allowances under Section 8.10.35.14 (large .scale sign regulations variance). In essence, this section of the sign regulations is intended to permit uniform signage along a general design or theme when approved by the City Council upon approval of the Planning & Zoning Commission. Attached to this report is a letter from Jack Klaus, Project Director, describing the kinds of signs proposed. It is necessary for Old Capitol Center to petition for signage allowances under Section 8.10.35.14 because the proposed signage design deviates from the district regulations in the 'following respects: 1. The signs to be located within the proposed sign band do not necessarily correspond to the location of.the associated use. The existing- sign ordinance requires permitted signs to be located on the face or front wall., of the building that is occupied by the use, i MICROFILMED BY JORM MICR+LAB CEDAR RAPIDS • DES MOINES a o'9s 2 2. While the sign ordinance provides for additional signage for commercial businesses located on corner lots, it does not address the need for additional advertising facia signs in a situation where the development is mall -type and extends over a block in area. The sign regulations proposed in the new zoning ordinance anticipate the conditions addressed above by permitting any number of signs to be located on any wall of a building as long as the total area does not exceed the maximum permitted for any one use. • Taking action on the subject request, the Commission must make recommendations thereon in the manner of rezoning petition. A recommendation of approval, in the instant case, would be to amend the CB district regulations regarding signage for the approved large scale non-residential development plans of Old Capitol Center pursuant to Section 8.10.35.14. The approved signage would then become a part of the approved LSNRD plan. RECOMMENDATION It is the staff's recommendation that the request for special signage allowances pursuant to Section 8.10.35.14 be approved. DEFICIENCIES AND DISCREPANCIES None. ATTACHMENTS Letter from Old Capitol Center. ACCOMPANIMENTS Old Capitol Center's large scale no - idential developmint signage plan. I Approved by: D Schmei er, Acting erector Departme of Planning and Program Development I MICROFILMED BY JORM MICR+LA6 CEDAR RAPIDS • DES MOINES n ^ THE DOWNTOWN ENCLOSED \\ SHOPPING CENTER '0 O \V\ IOWA CITY. IOWA OLD CAPITOL CENTER October 3, 1980 1 E D Mr. Neal Berlin, 0CT7I�' 19�Q City Manager pUgg�E STOLFUS City of Iowa City �)Ty CLERK Civic Center 410 East Washington Street Iowa City, Iowa 52240 Dear Mr. Berlin: Subject: Signage and Landscaping OLD CAPITOL CENTER Iowa City, Iowa By resolution number 78-456, dated October 17, 1978, the City Council approved the Preliminary Design Plans as called for in our contract for redevelopment of Parcels 83-1 and 84-1, subject to future approval of signage and plantings. By this letter and the graphic accompaniment, we are herewith seeking your approval of the signage and plantings for the center. Signage will appear on all three exposed sides of the building. There are four different kinds of signs. A sign "band", used for tenant advertising, will run along a line directly above and parallel to the top of the show windows. The sign cabinet will be aluminum and will be a duranotic bronze color. As shown on the graphics, the lettere will be the same on each sign. The front panel is a dark bronze lexan with white letters internally lit. The sign is 42.5 inches high, 29 feet long and 8 inches deep. Each 29 -foot length will be divided in thirds, allowing signs for three tenants per bay. The second type of sign is that to be used by the major tenants and indentification for the shopping center (logo). All of these signs are made up of individual letters. In the case of the logo, J.C. Penney and Osco signs the individual Tsl. 318361.6376 0,,~ 1270 Iowa C"Y, Is, b2244 MICROFILMED BY JORM MICR+LAB CEDAR RAPIDS a DES MOINES TO .112316,6466 706 W. Wacker, Bulb 20: Chicago, III. 60806 , 4 I I n ^ THE DOWNTOWN ENCLOSED \\ SHOPPING CENTER '0 O \V\ IOWA CITY. IOWA OLD CAPITOL CENTER October 3, 1980 1 E D Mr. Neal Berlin, 0CT7I�' 19�Q City Manager pUgg�E STOLFUS City of Iowa City �)Ty CLERK Civic Center 410 East Washington Street Iowa City, Iowa 52240 Dear Mr. Berlin: Subject: Signage and Landscaping OLD CAPITOL CENTER Iowa City, Iowa By resolution number 78-456, dated October 17, 1978, the City Council approved the Preliminary Design Plans as called for in our contract for redevelopment of Parcels 83-1 and 84-1, subject to future approval of signage and plantings. By this letter and the graphic accompaniment, we are herewith seeking your approval of the signage and plantings for the center. Signage will appear on all three exposed sides of the building. There are four different kinds of signs. A sign "band", used for tenant advertising, will run along a line directly above and parallel to the top of the show windows. The sign cabinet will be aluminum and will be a duranotic bronze color. As shown on the graphics, the lettere will be the same on each sign. The front panel is a dark bronze lexan with white letters internally lit. The sign is 42.5 inches high, 29 feet long and 8 inches deep. Each 29 -foot length will be divided in thirds, allowing signs for three tenants per bay. The second type of sign is that to be used by the major tenants and indentification for the shopping center (logo). All of these signs are made up of individual letters. In the case of the logo, J.C. Penney and Osco signs the individual Tsl. 318361.6376 0,,~ 1270 Iowa C"Y, Is, b2244 MICROFILMED BY JORM MICR+LAB CEDAR RAPIDS a DES MOINES TO .112316,6466 706 W. Wacker, Bulb 20: Chicago, III. 60806 1 , 4 1 Neal Berlin, ' October 3, 1960 Page 2 �• letters are internally luminated. Younkers sign is back lit. The logo will be blue and white in color, Penney's white, Osco orange and Younkers bronze. They will be placed as, shown on the illustration. The third type of sign is' that to be used by the theatres. It is similar to the sign band but is approximately three feet taller. The materials are the same as used in the sign band except that the front "message" panel is white with dark letters. It is possible that this sign might become part of the sign band. This sign goes on the west wall of the Washington Street entrance. The fourth type of sign is that used on the Capitol Street side to identify the four loading docks. The materials used are the same for all four signs: a bronze lexan panel (same material as front panel on the sign band) with white vinyl hand cut letters applied to the panel. The two signs at the _ north end of the building (Younkers and Osco) are 2' x 41. The two at the south end (J.C. Penney and general receiving) are 1' x 71. We have attempted to produce a sign "package" which is compatible with the rest of downtown and complementary to the structure. It is in keeping with the letter of the criteria set forth in Section 8.10.35.10 of the Code of Ordinances of Iowa City and, we feel, in keeping with the spirit of the Sign Ordinance. As for the landscaping, the specifications speak for them- selves. We await your comments and approval so that we may proceed to obtain the necessary permits. j Very truly yours, John B. Klaus, Project Director pb i i i MICROFILMED BY JORM MICR+LAB CEDAR RAPIDS • DES MOINES a�9s ORDINANCE N0. 80-3011 ORDINANCE APPROVING THE LARGE SCALE SIGNAGE PLAN OF OLD CAPITOL CENTER. i SECTION 1. PURPOSE. The purpose of this amendment is to permit special signage allowances for the large scale non-residential development of Old Capitol Center. SECTION 2. AMENDMENT. Pursuant to Section 8.10.35.14 of the Code of Ordinances the CBS Zone regulations are hereby modified to allow for the large scale non-residential development of Old '. Capitol Center to permit special signage allowances, pursuant to the large scale signage plan of Old Capitol Center as filed in the City Clerk's office. SECTION 3. REPEALER. All ordinances and parts of ordinances to conflict with the provision of this ordinance are hereby repealed. SECTION 4. SEVERABILITY. If any section, provision or part of the Ordinance shall be adjudged to be invalid or unconstitutional, such ajudication shall not affect the validity of the "l _ Ordinance as a whole or any section, provision or part thereof not adjudged invalid or ; unconstitutional. SECTION . EFFECTIVE DATE. This Ordinance shall be in eff5ect after its final passage, approval and publication as required by law. Passed and approved this 18th day of November, 19 80 . Zr MAYOR ATTEST: i CITY CLERK ,1 i ii.Y:.3Nc� � I A�rovot) By Ine 34';151 D.:part-lr.•n aog6 MICROFILMED BY '^ JORM MICR+LAB 7 Q; CEDAR RAPIDS • DES MOINES i It was moved by Neuhauser , and seconded by Perret that the Ordinance as read be adopted and upon roll call there were: AYES: NAYS: ABSENT: x BALMER x EROAHL x LYNCH x NEUHAUSER x PERRET x ROBERTS x VEVERA First consideration xxxxxxxxxx Vote for passage: Second consideration xxxxxxxxxxxxx Vote for passage: Moved by Neuhauser, seconded by Erdahl, that the rule requiring ordinances to be considered and voted on for passage at two Council meetings prior to the meeting at which it is to be finally passed be suspended, the first and second consider— ation and vote be waived and the ordinance be voted upon for final passage at this time. Ayes: Lynch, Neuhauser, Perret, Roberts, Vevera, Balmer, Erdahl. Nays: None. 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'. � '-) .. .•' wHuM1!„IIM`sl �,�s cn. yi ''i•����' i °1.�� �r �i.�11 :77 77 r ---+--------Y'- '. � SWI 1 �'F-sf`1L1•51�.v1�l�J� � lfru �,- , v �'`..'w �' „i •�tay.a�rr`�,r?nr n� 61-41L W, LA\041741 r-'AVVE 11, (o0o714: Iti g IPE V,' �pa:3l�I �'c�� n � '.A , i ORDINANCE NO. ORDINANCE AMENDING THE IOWA CITY ZONING CHAPTER, APPENDIX A OF THE IOWA CITY CODE OF ORDINANCES, BY CHANGING THE USE REGULATIONS OF CERTAIN PROPERTY FROM R1A TO R3A. BE IT ORDAINED BY THE CITY COUNCIL OF THE CITY OF IOWA CITY, IOWA: SECTION 1. The property described below is hereby classified at the owner's request, as an R3A zone, to -wit: In Township 79 North, Range 6 West, Section 4, of the 5th P.M., a parcel of land therein described as follows: Commencing at a point which is North 09021' East, 85.4 feet, and North 090061 West, 60 feet, and South 83°30' West, 690.9 feet, and South 690411 West, 52.88 feet of the East 4 corner of said Section 4; thence South 6203912011 West, 645.8 feet; thence South 4801211011 West, 123.0 feet to the Point of Beginning; thence North 51058'4011 West, 278.3 feet; thence South 450 11'30" West, 229.6 feet'; thence South 5104511011 East, 206.7 feet to the Iowa River; thence easterly along said River to a point bearing South 51058140" East of the Point of Beginning; thence to the Point of Beginning. Said parcel contains approximately 1.33 acres. SECTION 2. The Building Inspector is hereby authorized and directed to change the zoning map for the City of Iowa City, Iowa, to conform to this amendment upon final passage, approval and publication of this ordinance as provided by law. SECTION 3. The City Clerk is hereby authorized and directed to certify a copy of this ordinance to the County Recorder of Johnson County, Iowa, upon final passage, approval and publication as provided by law. SECTION 4. REPEALER. All ordinances and parts of ordinances in conflict with the provision of this ordinance are hereby repealed. SECTION 5. SEVERABILITY. If any section, provision or part of the Ordinance shall be 070 7``'� MICRO[ VIED BY JORM MICROLA6 CEDAR RAPIDS • DES 1101q[S adjudged to be invalid or unconstitutional, such ajudication shall not affect the validity of the Ordinance as a whole or any section, provision or part thereof not adjudged invalid or unconstitutional. SECTION 6. EFFECTIVE DATE. This Ordinance shall be in effect after its final passage, approval and publication as required by law. Passed and approved this MICR0EILMED BY JORM MICR4�UA13 CEDAR RAPIDS • DES F10111ES RgCEJV0 A Obi T 8Y T LES, . tN ao97 It was moved by , and seconded by that the Ordinance as read be adopted and upon roll calT there were: AYES: NAYS: ABSENT: BALMER ERDAHL LYNCH NEUHAUSER PERRET ROBERTS VEVERA First consideration Vote for passage: Second consideration Vote for passage: MICROFILMED BY JORM MICR( LAB CEDAR RAPIDS • DES MOINES Q69 7 f- We the under siwepetition ap,ainst the rezoning from RIA to d3A, of the Old 'Elks Club Property, at the end of Taft Speedway. For reasons listed below: E 1. Increased traffic on a secondary road that is closed every spring due to area conditions. 2.- Fire hazard - safety of people living there, no fire hydrant within 1/2 mile. 3. Sewer capacity causing river pollution. 4. Changing the structure of our residual`neighbor area. (Lde live here, they don't). 5. The existing property has long been a deficANO to the neighbor$, We request that this be looked into by the River Front Commissipn Traffic Control and Board of Health for reasons of brinWtiIre existing property up to todays standards. A bad situation stopped, not, enlarged upon. 6.Over the sixteen year period the Old Elks Club has deteriorated from lack of maintance and upkeep. The neighborhood considers it a nuisance. - �a � /tom � e jet C /D3 `t, MICROFILMED BY JORM MICR+LAB CEDAR RAPIDS • DES MOINES m I de the under sign petition against the rezoning from UA to 13A1 of the Old Elks Club Property, at the end of Taft Speedway. For reasons listed below: 1. Increased traffic on a secondary road that is closed every spring due to area conditions. 2. Fire hazard - safety of people living there, no fire hydrant within 1/2 mile. 3. Sewer capacity causing river pollution. Y 4 !. Changing the structure of our residei(V neighbor area. (6/e live here the donit d 5. The existing property has long been a defici to the neighbor$. We request that this be looked into by the River Front Commissionr�, Traffic Control and Board of Health for reasons of bring`"dne existing property up to todays standards. ) A bad situation stopped, not enlarged upon. 6. Over the sixteen year period the Old Elks Club has deteriorated 1 from lack of maintance and upkeep. The neighborhood considers y it a nuisance. 3 of �ti I: 0LWVXAO'�A s; ,1 141CROFILMED BY JORM MICR+LA13 CEDAR RAPIDS • DES MOINES -a. IKROf ILMED DY JORM MICROL AB CHIAR RAPIDS •DCS I40RIC5 Produced by The University of Iowa Museum of Art through a grant from the Iowa Humanities Board and the National Endowment for the Humani- ties. Published by The University of Iowa Foundation. , r Al vw",t�t b b. r I f r L• AA piece of public sculpture needs more than just an out- door setting to make it public. The image it presents must engage the viewer's imagination, inter- act with the surrounding environment, and offer an artistic statement that stimulates the viewer's aesthetic sen- sibilities. Its ability to evoke a response from the viewer is a measure of its success. The idea of public sculpture is as old as civilization, harking back to ancient Egyptian and Greek monu- ments. Man always has recognized the need to display art in public places. Traditionally public sculpture has been created to commemorate an important Person or event. It has functioned as a symbol of authority, to express the ideals, accomplishments, and values of those who commissioned it. Only in the mid -twentieth century has public sculpture come to be appreciated pn- marily for its effect on the surrounding environment and its value for the artis- tic awareness of the general public. People whose daily lives include little time for art take notice of public works of art because of theircommand- ing presence in the environment. Often abstract in form, the sculptures chal. lenge the viewer to question their meaning, to consider their relationship to surrounding buildings and land- scapes, and to interact with an object whose function is not immediately ap- parent. This self -paced walking tour of public sculpture guides the viewer past the major outdoor sculpture pieces on the University of Iowa campus and in public places of Iowa City. Although the pieces are numbered, the tour may be started at any point along the route. The descriptive paragraphs discuss formal aspects of the sculpture and touch the ideas and values that the images convey. Although this guide discusses only selected pieces of sculpture, it is important to note that the Iowa City landscape is dolled with sculptures which enhance the quality of the surroundings. Many of these pieces were made by students obtaining their graduate degrees at The University and are denoted on the walking tour map by the letters M.F.A. (Master of Fine Arts). Using This Guide This tour starts at the Museum of Art and travels an approximate distance of two miles by foot. The tour ends at the Lindquist Center where, after admiring the outdoor sculpture by Louise Nev. elson, the viewer is invited inside the building to view four additional sculptures. This guide is merely a starting point. The best tools for appreciating public sculpture (as well as other works of art) are your own eyes. Look care- fully. Try to spot the piece from a distance and observe how it changes as you approach it. Walk around the piece. Feel its surface. Notice the re- lationship between the piece and its setting from different angles. Think about how the solid forms and the sur- rounding space interact. Let your imagination play with the piece and have a good time. aag9 1 i Begin at the Museum or Art. Inside the museum is an environment spe. cially designed for sculpture, called "The Sculpture Court," where the museum's rotating collection of con- temporary sculpture can be viewed. L-OMIJ IC MICROFILMED BY JORM MICR+LAB. CEDAR RAPIDS • DES MOINES ;y :.■ 2 Lila Katzen Oracle, 1974 Cor -Ten and stainless steel II ft.x 17 ft. x5ft. (3.36mx5.18mx 1.52 m) Riverside Drive approach to the Museum of Art Museum purchase The title Oracle possibly refers to the shrines of ancient Greece where mythical gods revealed hidden knowl- edge or special prophecies. The sculp- ture's monumental size and weight of industrial steel are counterbalanced by the grace and elegance of its curvilinear forms. Oracle might be described as a work of suspended movement. Katzen created this work by stacking and bal- ancing parts rather than by welding them together. Like all of Katzen's sculptural pieces, Oracle can be best appreciated in a social environment, where it elicits a participatory response by the viewer, who is tempted to walk through it or even to climb on it. Unlike most sculp- lure displayed in a museum, one of the delights of public sculpture is the possibility of touching it. What sensa- tion do you gel from touching Oracle? From walking through it? 3 George Rickey Two Lines Oblique, 1967.1969 Stainless steel No. 6 in an edition of 8 Height: 25 ft. (7.62 m) Riverside Drive approach to the Museum of Art Gift of Mr. and Mrs. Louis Shulman "The artist finds waiting for him, as subject, not the trees, tint the /lowers, not the landscape, but the waving of branches and the trembling of stents, dte piling tip or .scudding of rlrrnds." George Rh key MICROFILMED BY JORM MICR+LA6 CEDAR RAPIDS • DES MOINES Movement and the physical forces of motion are integral parts of George Rickey's sculpture. Two Lines Oblique is composed of two blade -like appendages attached to a slender var- ticle support. The sculpture depends on the forces of nature to rotate its stainless steel blades in random patterns of movement. How does reflected sun- light affect your perception of the shiny steel forms? How would you charac- terize the movement you see? Rhythmic? Erratic? Hypnotic? Would you react differently to the piece under different weather conditions? dwayy I J Mark di Suvcro Untitled, 1971 Painted steel Height: 10 ft. 8 in. (3.26 m) River side of the Museum of Art Purchased for the Museum of Art by a grant from the Longview Founda- tion and the National Endowment for the Arts Di Suvero invites the viewer to ex- perience his work by manipulating the moveable parts. Try setting this sculp- ture in motion. Untitled resembles a miniature crane with a large metal form swinging in the wind as it hangs sus- pcnded at the end of two short metal George Rickey Four Rectangles Oblique: Variation 11, 1972-1975 Stainless steel No. I in an edition of 3 Height: 8 ft. to 9 ft. (2.44 in to 2.74 m) Rectangles 37 in, x 9 in. (93.98 cm x 22.86 cm) East side of the Museum of An Museum purchase Four Rectangles Oblique: Varia- tion 11 is in the most secluded location of all the public sculptures. Walking along the west riverbank, the viewer cables attached to the top of the work's slanting arms. The work is based on a tripod structure of steel T and 1 beams. Although heavy and monumental in ap- pearance, the work was designed for movement, which creates a changing relationship between the work and its environment. Di Suvero's sculpture is based on a deep respect for the technological de- velopment of mankind. He cuts his steel directly with a torch and reassem- bles it by arc welding. He operates his own crane, a skill he acquired when working on commercial construction projects. discovers the piece in a small, exterior sculpture court. The experience of art in a quiet, private location often en. hances one's appreciation of its subtleties. The brushed steel surface of this piece has a painterly texture that creates reflected light patterns as the four rectangles move. Even when mo- tionless, the diagonal or oblique com- position of this piece suggests potential movement in contrast to the static, rest- ful effect of the horizontal and vertical lines of the museum building. Would a static piece of sculpture catch your eye as readily? Luther Utterback Untitled, 1976 140 tons of limestone, 4 blocks, 6 ft. x6ft. x I I ft. (1.83mx 1.83m x 3.35 m) North of Hanchcr Auditorium Commissioned by The University of Iowa following sculpture compe- tion Monumental. Mysterious. Chang- ing. From a distance it looks small. As you approach this limestone sculp. ture, do you feel dwarfed by the height and weight of the massive rock slabs? How do the four slabs relate to one another? The giant, primeval blocks of stone seem to grow from the grass - carpeted earth, like an ancient monu- ment silhouetted against the modem city skyline in the distance. Time is an important element of this sculpture. The rock slabs will move almost imperceptibly as the weight of the stone reacts to changes in the con. ditions of the earth beneath it. As the ground expands and contracts with the passage of time, the rock shifts and gradually settles deeper into the earth whence it came. There are few signs of the artist's hand. What we see is an idea made tangible through the planning and care. ful supervision of the artist. Imper- sonal. Silent. Timeless. ---- ' M1n- P." us cava A. Other Works A. St. Thomas More, William Robinson, 1968, St. Thomas More Church. R. To Clcve,4 pa's Farr,*h` a' garden car v a Clinics��. i slabs will move ly as the weight of -hanges in the con - beneath it. As the I contracts with the : rock shifts and Doer into the earth signs of the artist's Ice is an idea made he planning and caro - the artist. Imper- Kenneth Snclson Four Module Piece: Form 2, 1968 Aluminum and stainless steel 18 ft. x 40 ft. x 40 ft. (5.49 in x 12.19 to x 12.19 m) Comer of Dubuque Street and Iowa Avenue Purchased by the citizens of Iowa City through public donations and a grant from the National Endow- ment for the Arts, 1974 Influenced by the ideas and struc- ture of Buckminster Fuller's geodesic domes, Four Module Piece: Form 2 originates from a modular form in the shape of an "X" which grows in four moveable sections. Follow the X mod- ule as it develops into a spray of aluminum relics. Snelson's major con- cern is with the fundamentals of na- ture, which he defines as the patterns 6 J� OPJI muRJiCNI , it A,RCNIID­f ( �I e r.InY,R.l.n aR6,R G�Mi„ of physical forces in space. He is less interested in the visual image than in the lines of force which are necessary for this structure to exist. Here he con- structs a work of linear material (cable) put under tension and compression. Snclson calls the concept behind this work "tensegrity" and uses the princi- ples of structural engineering to achieve it. It is fitting that such a sculpture be installed near The University of Iowa Physics Building. The commission for this sculpture was awarded to Snelson by the Iowa City Sculpture Project, a national sculpture competition. hl(arRSONI___ 1 t Robinson, B. To Cloves' Creamery from Grand- urch. pa's Form, Ronda Reinke, 1980, West garden courtyard, U1 Hospitals and Clinics. I , 0 • Richard Field Triaxial Hemicylindrical, 1974 Cor -Ten steel 12 ft. x 15 ft. (3.66 in x 4.57 m) Chauncey Swan Plaza opposite the Iowa City Civic Center Purchased by the citizens of Iowa City through public donations and a grant from the National Endowment for the Arts Commissioned as part of the Iowa City Sculpture Project, this sculpture by midwestem artist Richard Field is an abstract piece which depends on its I Louise Nevelson Voyage, 1975 Cor -Ten steel painted black 30 ft. x 9 ft. x 5 ft. 7 in. (9.14 no x 2.74 in x 1.70 m) Lindquist Center Purchased through University building funds, it grant from the National Endowment for the Arts, a partial gift from the artist, a grant from the Measurement Research Foundation and other gifts through The University of Iowa Foundation. changing relationship with the sun for its dramatic effect. The shadows cast by the steel components of this piece change with the time of day and the position of the viewer. The viewer is immediately drawn to this sculpture by its intense colors, which mask the great weight of the Cor -Ten steel and contrast with the dark shadows produced by the sculp- ture. Louise Nevelson is known pri- marily for her sculpture in wood, but since 1975 she has made a large group of monumental sculptures in painted aluminum and steel. "Working in metal has allowed me to fidfrll myself as an environmental architect ... Working in the open is especially trjjcuh as you are !it com- petition with the scale of the uni- verse. In enclosures you can create infinite universes by illusion—shado , and light, but outside, scale becomes critical. Space is the greatest herury whether it be in a room or out of doors." t..mlu Nrcthnn The strong, elegnn4 columnar forms of Voyage reveal how success- fully Nevelson made her transition from large indoor sculpture to monu- mental forms on an architectural scale. Consider how the forms of Voyage relate to the design of the Lindquist Center. Would this piece be as effective in the middle of an open field? The importance of art in public places has been recognized by a federal government mandate to spend a per- centage of new building costs on works of art. This piece. as well as four ad- ditional sculptures inside the Lindquist Center, bring an into everyday contact with people who might pause m their busy lives to contemplate an object that transcends their everyday concerns. 0 ORDINANCE NO. 80-3012 AN ORDINANCE AMENDING SECTIONS 12-16 AND 12-21 OF THE CODE OF ORDINANCES OF IOWA CITY, ADOPTING THE 1979 EDITION OF THE UNIFORM FIRE CODE WITH CERTAIN AMENDMENTS. SECTION 1. PURPOSE. The purpose of this ordinance is to adopt the 1979 Edition of the Uniform Fire Code as prepared and edited by the International Conference of Building Officials and the Western Fire Chiefs Association to provide for the safety of the citizens, lives and property of Iowa City and provide for its enforcement. SECTION 2. AMENDMENT. (a) Section 12-16 of the Code of Ordinances is hereby amended to read as follows: Subject to the following amendments, the 1979 edition of the Uniform Fire Code is hereby adopted. (b) Section 12-21 of the Code of Ordinances is hereby amended to read as follows: (1) Section 79.401 is hereby amended to read as follows: Section 79.401. This division shall apply only to the storage and dispensing of flammable or combustible liquids in drums or other containers not exceeding sixty (60) gallons individual capacity and those portable tanks not exceeding, three hundred (300) gallons individual capacity. Two (2) portable tanks of different fuels may be located at a site unless the Chief of the Fire Department determines them to be a hazard. These requirements do not apply to bulk plants, service station refineries, chemical plants and distilleries. (2) Section 25.117(b)(4) is hereby amended to read as follows: (4). Candles held in persons' hands will be allowed. Battery-operated simulated candles are available and are recommended as being safer than real candles. No permit is required for battery-operated candles or other electric candles. MICROFIL14ED BY JORM MICR+LAB ` CEDAR RAPIDS • DES MOINES 1, 0 ORDINANCE NO. 80-3012 AN ORDINANCE AMENDING SECTIONS 12-16 AND 12-21 OF THE CODE OF ORDINANCES OF IOWA CITY, ADOPTING THE 1979 EDITION OF THE UNIFORM FIRE CODE WITH CERTAIN AMENDMENTS. SECTION 1. PURPOSE. The purpose of this ordinance is to adopt the 1979 Edition of the Uniform Fire Code as prepared and edited by the International Conference of Building Officials and the Western Fire Chiefs Association to provide for the safety of the citizens, lives and property of Iowa City and provide for its enforcement. SECTION 2. AMENDMENT. (a) Section 12-16 of the Code of Ordinances is hereby amended to read as follows: Subject to the following amendments, the 1979 edition of the Uniform Fire Code is hereby adopted. (b) Section 12-21 of the Code of Ordinances is hereby amended to read as follows: (1) Section 79.401 is hereby amended to read as follows: Section 79.401. This division shall apply only to the storage and dispensing of flammable or combustible liquids in drums or other containers not exceeding sixty (60) gallons individual capacity and those portable tanks not exceeding, three hundred (300) gallons individual capacity. Two (2) portable tanks of different fuels may be located at a site unless the Chief of the Fire Department determines them to be a hazard. These requirements do not apply to bulk plants, service station refineries, chemical plants and distilleries. (2) Section 25.117(b)(4) is hereby amended to read as follows: (4). Candles held in persons' hands will be allowed. Battery-operated simulated candles are available and are recommended as being safer than real candles. No permit is required for battery-operated candles or other electric candles. MICROFIL14ED BY JORM MICR+LAB ` CEDAR RAPIDS • DES MOINES 01�Iance No. Page 2 f30 -only SECTION'. REPEALER. All ordinances and parts of ordinances in conflict with the provision of this ordinance are hereby repealed. SECTION 4. SEVERABILITY. If any section, provision or part of the Ordinance shall be adjudged to be invalid or unconstitutional, such ajudication shall not affect the validity of the Ordinance as a whole or any section, provision or part thereof not adjudged invalid or unconstitutional. SECTION 5. EFFECTIVE DATE. This Ordinance shall be in effect after its final passage, approval and Publication as required by law. Passed and approved this 18th day of November, 1980. ATTEST: MICROFILMED BY ' JORM MICR+LAB CEDAR RAPIDS • DES MOINES AMCFIM 3 IPPR -9F"l I 1 .',r'rr I :�Ei'i al3s� 1 j i k' I 1 I 1 0 01�Iance No. Page 2 f30 -only SECTION'. REPEALER. All ordinances and parts of ordinances in conflict with the provision of this ordinance are hereby repealed. SECTION 4. SEVERABILITY. If any section, provision or part of the Ordinance shall be adjudged to be invalid or unconstitutional, such ajudication shall not affect the validity of the Ordinance as a whole or any section, provision or part thereof not adjudged invalid or unconstitutional. SECTION 5. EFFECTIVE DATE. This Ordinance shall be in effect after its final passage, approval and Publication as required by law. Passed and approved this 18th day of November, 1980. ATTEST: MICROFILMED BY ' JORM MICR+LAB CEDAR RAPIDS • DES MOINES AMCFIM 3 IPPR -9F"l I 1 .',r'rr I :�Ei'i al3s� 1 k' /--N /-� Or. .ance No. 80-3012 Page 3 It was moved by Perret , and seconded by Vevera that the Ordinance as read be adopted and upon roll call there were: AYES: NAYS: ABSENT: x BALMER x ERDAHL x LYNCH x NEUHAUSER x PERRET x ROBERTS x VEVERA First consideration 10/21/80 Vote for passage: Ayes: Lynch, Neuhauser, Perret, Roberts, Vevera, Balmer, Erdahl. Nays: None. Second consideration 11/4/80 Vote for passage: Ayes: Vevera, Balmer, Erdahl, Lynch, Neuhauser, Roberts. Nays: None. Absent: Perret. Date of publication 11/26/80 I 3 141CROFILMED BY JORM MICR+LABS CEDAR RAPIDS • DES MOINES ^,